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• Title: The Frozen Ground
• Year: 2013
• Duration: 1h 45m
• Rating: 6.4
• Genres: Drama, Crime, Thriller

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Summary The Frozen Ground 2013

An Alaska State Trooper partners with a young woman who escaped the clutches of serial killer Robert Hansen to bring the murderer to justice. Based on actual events.

Alaska Trooper Jack Holcombe believes Robert Hansen is a serial killer who abducts young girls, tortures and sexually assaults them, then kills them. But Holcombe doesn't have enough evidence to get a search warrant for Hansen's premises. Holcombe knows that one victim, Cindy Paulsen, somehow survived, so he decides to seek her help, but he finds that she's now a junkie with trust issues. Holcombe has to earn her trust; meanwhile, Hansen is still hunting and killing girls.

In 1983, in Anchorage, Alaska, the young prostitute Cindy Paulsen is found cuffed in her apartment. She claims that she has been raped and threatened by Robert "Bob" Hansen, an apparently respectable man with a wife and children. The police officers don't believe her, Hansen isn't charged, and Cindy returns to the streets. Meanwhile, Sergeant Jack Holcombe is assigned to investigate the murder of seven young women, and the detective that found Cindy secretly sends her case to him. Jack believes that Bob Hansen is the serial killer, but lacks the evidences to arrest him. Jack tries to earn Cindy's trust so that Hansen can be charged, but she is afraid and tries to leave Alaska.

For more than a decade, an elusive sexual predator and utterly sadistic serial killer has been preying on innocent young women in snow-capped Alaska. Now, in early-1980s cold Anchorage, the inquisitive state trooper, Jack Halcombe, is burdened with piecing together a seemingly endless string of violent and meticulously premeditated murders, as he follows specks of circumstantial evidence. Unfortunately, the only survivor who miraculously escaped the nightmare--the runaway teenage streetwalker, Cindy Paulson--is reluctant to both ask for help and aid the investigation, while in the meantime, a soft-spoken member of the community and respectable family man finds himself entangled with the mysterious case. Will Halcombe ever unearth the secrets of the frozen ground?

Synopsis The Frozen Ground 2013

The film opens in an Anchorage motel room in 1983, where 17-year-old Cindy Paulson is handcuffed and screaming for help. She is rescued by an Anchorage Police Department patrol officer. He takes Paulson to the hospital, and her clothes are kept for a rape kit. At an APD station, she explains to detectives that she was abducted and repeatedly raped. Because she is a prostitute and lying about her age, the detectives don't believe her story, refusing to even look into the man she named as her abductor, Robert Hansen. They claim Hansen is an upstanding member of society, a family man who owns his own restaurant, and has alibis from three people.

The APD patrol officer who rescued Paulson is outraged that the detectives refuse to pursue Hansen. He surreptitiously photocopies information about the case and sends it to the Alaska State Police. Meanwhile, state trooper Jack Halcombe has been called to investigate a female body that was found in the bush, half eaten by bears. The police connect the case to other missing girls, who have disappeared after going to what they thought were legitimate photo shoots. With secret information from the APD officer, Halcombe connects the other cases to Paulson's and starts to put together a portrait of Hansen. Paulson details how Hansen kept her captive, and that she escaped from his car when he tried to transfer her to his bush plane.

Meanwhile in Anchorage, Debbie Peters gets picked up by a man in an RV for a photo shoot. Later, Hansen eats a quiet dinner at home. His wife and children are away, and Hansen relaxes in his trophy room, casually ignoring Debbie who is chained to a post. She has urinated on the floor, and as she cleans up the mess with a towel, Hansen's neighbor enters the house to deliver a plate of food. Hansen warns Debbie not to scream and leaves the trophy room to greet his neighbor. Hansen then takes Debbie to the airport, where he orders her into his plane. After landing in a remote spot in the bush, Hansen frees Debbie, letting her run in a panic through the woods before he shoots her with a .223 caliber rifle. He steals her necklace before finishing her off with a handgun.

Halcombe has a very difficult time assembling a case against Hansen. Because the evidence is circumstantial and Paulson is afraid to testify, the District attorney refuses to issue a search warrant. Paulson keeps falling back into the world of stripping and prostitution, despite Halcombe's efforts to keep her safe. At a strip club, while she is trying to sell lap dances, she notices Hansen trolling for a new victim. Their eyes meet, a chase ensues, and Paulson barely escapes. The encounter makes Hansen nervous, and he hires Carl Galenski to find and kill Paulson. Carl approaches Paulson's erstwhile pimp Clate Johnson (50 Cent) and offers to forgive his sizable debt if Clate turns Paulson over to him.

Halcombe stakes out Hansen's house, causing Hansen to panic. Hansen gathers the evidence of his crimes, including the keepsakes from his victims, and flees with his son to the airport. He flies his plane to the bush and hides his keepsakes. Feeling that the chance to catch Hansen is slipping away, and with the victim count now at 17 girls, Halcombe forces the DA to issue a warrant. The search of Hansen's house yields no evidence, not even in his trophy room. Hansen agrees to be interrogated without a lawyer, but he is not yielding any new evidence. Halcombe arrests Hansen, but unless the police find new evidence, they will be unable to hold him.

Halcombe orders a second search of Hansen's house, which turns up a hidden cache of guns, including the .223 caliber rifle used in many of the murders. Under police watch at a safe location, Paulson slips away and returns to her life of prostitution. Clate picks her up and delivers her to Carl. When Clate attempts to rob Carl, Paulson uses the opportunity to escape, with Carl in pursuit. After making a call to Halcombe, Paulson is almost killed by Carl, but Halcombe rescues her just in time.

Halcombe uses a bracelet identical to one worn by one of the victims in order to trick Hansen into thinking the police have found where he hid the evidence in the bush. The bracelet, combined with the sight of Paulson in the interrogation room, enrages Hansen to the point that he incriminates himself. The epilogue states that Hansen confessed to the murder of 17 women and the kidnap and rape of another 30. He was charged with the abduction and rape of Cindy Paulson and the murders of Joananna Messina, Sherry Morrow, Paula Goulding and "Eklutna Annie." He was sentenced to 461 years plus life without parole. Robert Hansen died in 2014 at the age of 75. Only 11 of his victims bodies were recovered. Jack Halcombe remained with the Alaska State Trooper and was promoted. He is now retired. Cindy Paulson now lives in the lower 48 and married with 3 children.

The film ends with a dedication and actual pictures of Hansen's victims.

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The Family 2013 Transmisión gratuita de película completa

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• Title: The Family
• Year: 2013
• Duration: 1h 51m
• Rating: 6.3
• Genres: Comedy, Crime, Thriller

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Summary The Family 2013

The Manzoni family, a notorious mafia clan, is relocated to Normandy, France under the Witness Protection Program, where fitting in soon becomes challenging, as their old habits die hard.

A mafia boss and his family are relocated to a sleepy town in France under the witness protection program after snitching on the mob. Despite the best efforts of FBI Agent Stansfield (Tommy Lee Jones) to keep them in line, Fred Manzoni (Robert De Niro), his wife Maggie (Michelle Pfeiffer) and their children Belle (Dianna Agron) and Warren (John D'Leo) can't help but revert to old habits and blow their cover by handling their problems the "family" way, enabling their former mafia cronies to track them down. Chaos ensues as old scores are settled in the unlikeliest of settings.

In New York, mobster Giovanni Manzoni makes a deal with FBI agent Robert Stansfield and snitches on his mafia family. In return, Giovanni is included in the witness protection program and receives a new identity, Fred Blake. Giovanni, together with his wife Maggie and their teenager children Belle and Warren, are relocated to the small town Cholong-sur-Avres, in Normandy, under the protection of Stansfield and two other agents. Meanwhile the mafia offers a 20 million-dollar reward to the killer that executes Giovanni and his family. Soon the Blake family uses the mafia methods to improve their lives in the town. But when the mafia accidentally discovers the whereabouts of the Manzoni family, Cholong becomes a no man's land.

Brooklyn kingpin Giovanni Manzoni (De Niro) had it all until the day he became a snitch. Now no matter how many times Agent Stansfield (Tommy Lee Jones) relocates Giovanni and his family, danger is never far behind. When they blow their cover once again, Giovanni, his wife Maggie (Michelle Pfeiffer), and their two kids Warren (John D'Leo) and Belle (Dianna Agron) are shipped off to a sleepy village in France. It seems like the perfect place to escape the long arm of the lawless until the criminally inclined family resorts to their treacherous old ways, once again becoming a blip on the syndicate radar. Now the thugs are moving in, and they mean business. As the Manzonis use their unique set of skills to survive the relentless storm of bullets, bombs, and rockets, the citizens of this peaceful French village suddenly find themselves in the middle of an all-out Mafia war zone..

Synopsis The Family 2013

The camera pans out on a family of four eating a meal together. The doorbell rings, and the husband/father answers. As he puts his eye to the peephole, a bomb explodes, blowing his corpse back to the dining table. The wife/mother frantically tries to call the police as a man in a black hat and coat walks through the destroyed door, holding a gun. He rubs out the rest of the family, including both adolescent kids, without a word. He then takes a hatchet from his briefcase and hacks off a finger from the man's hand.

The voice of Fred Blake (Robert De Niro) says that the only question people should ask is the value of a man's life. Fred says he's worth $20 million, and he'd give away the entire fortune to get his old life back.

Fred is riding in a car driven by his wife, Maggie (Michelle Pfeiffer), while their two kids, Warren (John D'Leo) and Belle (Dianna Agron) ride in the back with the family dog, Malavita. They're all heading toward a new home in Cholong-sur-Avre in Normandy, France. Maggie is unsure of the house's exact location because the houses on the street have no numbers, but Fred is able to locate the correct house due to instructions from an acquaintance named Stansfield.

They all get settled in, unpacking some of their belongings, which are already there (although the TV is late in arriving). During small talk, it's revealed that the Blake family has lived in the Riviera and Paris.

Maggie offers to help Fred unpack, but he tells her to get the kids to bed, as they have school the very next day. The real reason, however, is that unknown to the rest of the family, Fred had a dead body in the trunk. He buries it in the back yard while nobody is looking.

In the morning, over breakfast, it's revealed that the Blake family has used different surnames in different parts of France. After Warren and Belle leave for school, Maggie tells Fred she's going to pick up groceries, and that Stansfield said that until he arrives that day, Fred shouldn't step outside the house. They need to come up with something to tell the neighbors, and if anyone were to ask, they should say they're American.

The Blake family are federal witnesses. Fred's real name is Giovanni Manzoni, and he and his family were part of a mafia family from Brooklyn. Giovanni's grandfather drove one of the cars at the funeral procession for Vito Genovese's wife, and Gio's father was one of 107 mob bosses to attend a notorious 1957 Apalachian Convention. Giovanni and his family are in Witness protection because he turned informant and testified against a high-ranking Don named Luchese (Stan Carp), sending him to jail. Squeaking rats being one of the most despised things among the mafia, the whole Manzoni family has a $20 million bounty on their heads. Stansfield is the family's FBI contact.

Soon as Maggie is gone, Fred steps outside. He's seen through a camera lens, and he seems to turn right toward it, as if he knows the person or persons with the camera, are there. Later, he rummages through some of the family belongings until he finds something he appears to prize: a manual typewriter.

The Manzonis waste little time starting to run afoul of the locals and the way of life in Cholong-sur-Avre, and they deal with it the best way they know how: mafia style. Maggie stops for coffee and learns the closest sightseeing attractions are in another town, twenty kilometers distant. Warren runs into a group of young French students led by Andre (Jonas Bloquet), who want to shake him down for some cash, take his backtalk with disdain, and mudhole stomp him in a locker room.

Maggie is annoyed with the stereotypical anti-American sentiment of the French grocery store owner and two French customers. She grabs some materials that act as a makeshift explosive and sets it off in the back of the store, destroying much of it.

Meeting for lunch, Belle and Warren strategize. As the outsiders in a foreign school, they need to stick close together. Warren has cased a majority of the students and has learned who runs 'contraband' (like cigarettes), and who can be exploited for what-- including the potential to turn the tables on Andre's gang, who beat him up and hit on Belle.

Fred begins typing a memoir of his life on the typewriter. Later, he goes out into the backyard and is spotted by a neighbor tending to his rose garden. The neighbor strikes up small talk, which proves troublesome for Fred. Asked about his work, he says he's a writer. Afraid to say he writes novels, because he doesn't know anything about it, he says he's writing about the armed forces landing at Normandy on D-Day... and finds his neighbor knows a lot about this subject; much more than Fred himself.

Maggie visits a church, where the local priest makes her acquaintance. He greets new arrivals cordially, which is something Maggie feels she and her family need right now.

After school is done for the day, Warren goes right to work. He finds that an engineer's son collects trading cards for the Paris S.G. and is only missing one card, ready to give anything in return for it. Warren assures the youth he'll see if he can help acquire it. Meanwhile, Belle is walking home when Andre and his gang start following her in their car, offering her a ride. When Belle realizes she missed a turn trying to ignore them, they take advantage, asking where she lives and then telling her it's miles away, and it'll be dark before she gets home. Against her better judgment, Belle accepts the offer of a ride, and she doesn't need long to see through the French boys' charm; they drive to a local leisure park and lay down a picnic blanket. They clearly have seduction on their minds. Their overconfidence proves deadly, as they allow Belle to rummage through the trunk of their car, where she finds a tennis racket. She knocks Andre down and viciously bashes the racket against his head until it breaks, before giving the shocked boys a stern lecture on how young women deserve to be treated. She gets in their car and drives off, leaving them there. She drives partway home before leaving the car on the shoulder of the road and walking the rest of the way.

The scene shifts to Attica State prison, where a guard delivers a bucket of ice to Don Luchese. Despite being in prison for life, Luchese lives like a king, with a private cell furnished nearly as well as a good quality motel room, and at least one of the guards caters to him as well. One of Luchese's underlings is in the prison with him. He takes the bucket and dumps it in the sink; among the ice is the finger hacked off from the man who was killed the beginning of the movie. The ice kept it fresh so that Luchese is able to take a fingerprint and compare it to Fred's prints from a copy of his Buffalo police record. The prints don't match, so Luchese knows that the Manzonis are still alive. They call Rocco (Jon Freda), who carried out the hit, to inform him, and he promises to continue looking.

The Manzonis are making small talk over dinner when Stansfield (Tommy Lee Jones) shows up to see how their first day went. He's also there to make sure the Manzonis behave themselves: two weeks ago, in Nice, Maggie bought a dozen lobsters from a man named Mourad, that turned out to be rotten; Fred beat Mourad to a pulp, and two days ago, Mourad went missing (he's the stiff that Fred buried in the backyard). That the Manzonis bought a whole dozen lobsters smacks of a 'business deal;' the kind the Manzonis aren't allowed to make, as per the terms of the Witness Protection program. Stansfield has had to relocate the Manzonis numerous times because of how they all handle 'fitting in' at each new place. His job is to keep them safe, but they're making his job very hard.

That night, Fred has a nightmare about a party he and Luchese's men co-hosted back in Brooklyn; he happens to turn and look at Luchese, who runs a finger across his throat, and suddenly every guest at the party turns toward Giovanni, pointing a gun at him.

Fred is at his typewriter again, continuing his memoirs. He says, in a voiceover, that Stansfield's duty is to tell the 'official' version of what happened to get a $20 million bounty on the lives of all four Manzonis. Fred wants to write down the whole truth, just once, without any deception, even if nobody reads it. He says his story is impossible to just make up. It turns out Maggie has suspected what Fred was up to, and she's plenty angry about it, even a single typed hardcopy, as opposed to something written on computer disk, is at risk of being seen by the wrong eyes. Maggie insists she could have been consulted, but the last time Fred did that, she had him say he was an architect and suddenly everyone was coming to him for advice on expanding their homes. For now, Maggie wants her husband to be a plumber; the sink's tap water is brown, and can't be trusted for washing or drinking. She called the local plumber twice and he never showed.

Maggie steps outside, looking around for prying eyes, and goes to a nearby house where two FBI agents, Caputo (Domenick Lombardozzi) and DiCicco (Jimmy Palumbo), are watching over their safety. She brings them some home-cooked food, making pleasant small talk. Unlike Fred, Maggie knows the value of proper diplomacy and keeping on the agents' good side... and she can use the company, being Americans in a country infamous for not looking kindly on most Americans. During small talk, it's revealed that Stansfield is arranging for the Manzonis to host a block barbeque to meet and get acquainted with most of the neighbors.

The next day at school, during lunch, Belle and Warren again strategize. Warren has been hard at work doing 'business' of his own; he's made a fake copy of the last trading card the engineer's son needs; in return he gets a copy of math homework which he trades to another student for another favor. He also gets a copy of the Goth girl's school report, promising to alter it in a way her parents would like, in return for an equal share of the cigarette market. He also 'picked up' a splinter so he could raid the school nurse's medicine cabinet for some energy pills he sells. Belle, meanwhile, found out who took something from her purse, and beat the girl to a pulp in the rest room.

Belle looks across the lunch room and her gaze falls across a handsome young man, who Warren knows is a college student doing substitute teaching work for a disliked regular who's on maternity leave. The substitute is studying for a very difficult math exam, and all the senior-level girls have the hots for him.

Still with Caputo and DiCicco, Maggie looks through their binoculars with which they spy on, and gather information about, all the neighbors, to watch for any security threats. Maggie also sees the plumber show up at her house, and smiles to herself in satisfaction.

The plumber, Ramirez (Tonio Descanvelle), tells Fred that the brown water could be a result of either the house's pipes, which are very old, or the town water mains. If it's the mains, the Manzonis would need to take it up with the town mayor; if it's the pipes, they'll need a full overhaul, which will cost a great deal of money and take a great deal of time. Ramirez gets very condescending and rude as he suggests Fred call Ramirez's wife, pay 50% up front and make another appointment. He boasts about his family, fathers and sons, being plumbers for five generations.

When Ramirez asks Fred about his line of work, Fred turns toward a nook in the basement and pulls out a baseball bat. Cut to Maggie still watching through the binoculars, and she sees Fred carrying an unconscious Ramirez out of the house and putting him in the back of his plumber van, before Fred gets into the driver's seat and drives the van off.

As school ends, Belle makes her move on the substitute, Henri (Oisín Stack), telling him she needs private tutoring in math.

Andre and gang meets the engineer's son to acquire a hi-fi they need for a pre-prom party, only to find that the engineer's son and several other students are working with Warren. The bully gang gets their taste of being on the wrong end of a beatdown.

Fred has brought Ramirez to a hospital after having beaten him with an inch of his life with the baseball bat. He's unable to explain to the doctor how Ramirez became so badly injured from 'a fall down stairs,' but finally provides a street-smart escape by saying he's not a doctor himself.

Rocco is speaking with Mourad's family, showing them a photo of Fred. He's posing as an FBI agent looking into disappearances. Mourad's wife tells Rocco that Fred is a friend of her husband, and unlike in the photo, he has a beard now. Rocco's questioning makes one of the sons suspicious and he asks to see Rocco's FBI badge. Rocco flashes an evil smile as he agrees to the request, and we then see him looking around shiftily as he steps out of the apartment, after he's killed the whole family.

Fred is writing his memoirs, and in a voiceover and flashbacks, he goes over a list of ten points that show he's a 'good guy;' of course, the flashbacks show scenes of his time running a crime ring in Brooklyn that demonstrate just how 'good' of a guy he really is. His top point is that he only causes pain with good reason. Cut to his beating Ramirez senseless with the baseball bat, pounding on him until the bat breaks, and then picking up where he left off with a short-handled mallet.

Maggie confronts Fred about crippling Ramirez, but he shuts her up by pointing out he knows about the supermarket she blew up. He starts coming on to his wife, and she's reluctant at first, but Fred knows how to turn the charm up in ways she can't resist.

Preparing for the barbecue, Maggie tells Belle that Henri called to find out what time it was. Despite Belle's protests that he's just tutoring her in math, Maggie knows what is really on her daughter's long-term goal list. Warren arrives home with bottles of Coca-Cola, assuring his mother that the French neighbors will be expecting 'greasy, fatty American slop' from the American family living among their midst.

As Warren predicted, the whole neighborhood shows up for the barbeque. Stansfield calls Caputo and DiCicco and tells them to go too, as all the neighbors are there and they need to blend in.

Maggie greets the incoming guests, playing perfect hostess, until she notices one neighbor (who Caputo and DiCocco had told her, was kleptomaniac) quietly pocketing some silverware. Maggie pours the neighbnr some champagne and whispers to her to put the silverware back or Maggie will break her arms.

Fred hasn't come out yet; he's still writing. Maggie sends Belle to get him. Fred quietly tells Belle one of his regrets; despite the zeal with which he carried out his work as a crime boss, he regrets not always having done right by his kids. Belle assures him that she loves him and wouldn't trade him for any other father, and this convinces him to come out.

No sooner is Fred preparing the barbeque, however, when several neighbors start telling him that the method he's using isn't efficient, and how he should really be doing it for better results. He smiles politely, but his eyes show his irritation. As they continue laughing, we see Fred lose his cool and start maiming them-- until Stansfield taps his shoulder, showing it was just Fred imagining it. Sharing a drink with Fred at the bar, Stansfield reveals that Whalberg, a contact who's recently been elected to the Senate, was worried about Fred telling the latest neighbors that he's a writer. Whalberg and Stansfield know that Fred is writing personal memoirs, and Stansfield is there to caution him about what he puts in them, and whether or not it's a good idea to let anyone see them.

As the party is wrapping up, Maggie comforts Belle about Henri not having shown, and Stansfield drops a not-so-subtle warning to Fred regarding one of Gio's former associates.

The next morning as they walk to school, Warren tells Belle that Fred can turn the word 'fuck' into one of the most versatile in the human vocabulary, which makes it curious how he spends so much time writing.

Fred goes to see the mayor about the town water main, only to be given a runaround. The mayor insists that the water main is working normally and makes a sticking point about the Manzonis being new in town. Fred shakes hands politely, but we see him enjoying the thought of grabbing the mayor and using the mayor's desk drawer to crush his fingers.

At the school study hall, Henri notes that Belle has improved considerably, but she sees she really has her work cut out for her when she learns that once he passes his exams, he plans to move to Paris in search of a full-time main teaching position.

Meanwhile, following the trail, Fred visits the town water main. The maintenance supervisor shows that the water is already brown when it reaches the water main, and he suspects a nearby chemical fertilizing plant; the only one of its kind in the area.

Maggie is praying at church when the priest arrives. The priest notes that Maggie often comes to pray during midday, but never at Mass. He asks if she's interested in making confession. Maggie warily asks about priest confidentiality, and he assures her that the oath is sacred.

During class, one of Warren's teachers requests a homework assignment that's overdue from him; a short story written in English, on wordplay and double meanings, for the school newspaper. She gives him a strict deadline, leaving him scrambling to come up with something on the fly. Remembering a neighborhood mafia party at which all of Luchese's family were present, Warren remembers a double entendre recited by Luchese regarding Boris Godunov: "If it's Godunov for you, it's good enough for me." The much younger Warren had found it funny and laughed along with it. Warren quickly writes it all down for his teacher, and it's printed in the school newspaper. Of course, a copy of this newspaper ends up in the one pair of hands it was never meant for: Don Luchese (a funny series of actions shows how the paper arrives in his cell and gets his attention). He recognizes the short story immediately and glares at the credit: "Warren Blake, 3e2."

Fred has just enough time to walk into the office of the chemical fertilizer company president, Mr. Chambard (Serge Tranvouez) when he's told not to talk about the 'brown water' problem. Chambard gives a shockingly rude and crude suggestion to buy bottled water instead of using free tap water. This time it's no mere moment of personal imagination when we see Fred drag a badly beaten Chambard out onto a road with Chambard's motorcycle, threatening to drag him along the road by the cycle. Chambard tells him about one of the turbines and where it is; if his company is responsible at all, the turbine would be the culprit.

Fred arrives home to find Stansfield reading his memoir manuscript, and they have it out over the writing, as well as Fred continuously escaping regular FBI surveillance, which is enough to warrant termination of Witness Protection. Stansfield tells Fred he wants the manuscript when Fred is finished.

Henri is packing to take a train to Paris, and has prepared some home work for Belle. But it's Belle who's donning the teacher's cap for a lesson in something quite different from math, in the privacy of the office.

Mr. LeMercier (Cédric Zimmerlin), the English teacher whose face Fred imagined pushing down on the hot barbeque grill, calls to tell Fred that he's hosted Cholong's film society for five years now; they show a classic film, followed by a debate on it. He's asking Fred to attending a showing of the classic film Some Came Running (1958) by Vincente Minnelli. Not wanting to come across as rude, Fred tells LeMercier that he'll get back to him.

Soon as Fred hangs up, DiCicco, who along with Caputo, listen in on all calls to and from the Blake home, promptly grills Fred about his response. Stansfield shows up a few moments later, furious at Fred's leaving the decision open, because it can blow his cover. Trying to defend himself, Fred points out he's supposed to 'integrate' to the community and didn't want to give them a rude brush-off. Fred insists he's going to get a copy of the movie in advance of the showing, watch it at home, and then he's bringing Stansfield to the film society showing and debate, which will earn Stansfield a good write-up in Fred's memoirs (a promise that draws a chuckle from Stansfield).

Don Luchese sees Fat Willy (Vincent Pastore), one of the heavy muscle in his organization, and shows him a copy of the newspaper from the school Warren and Belle attend. He orders all available men to head there at once and kill all of the Manzoni family.

Warren is summoned before a faculty board to answer twenty-two student complaints. The committee head offers for him to take his pick of where to start: assault, corruption, bullying, and threatening students and faculty alike.

Caputo and DiCicco are finding continued surveillance of Fred getting tedious, as he simply sits at his desk in the shed. But in fact, they're watching a cleverly made-up mannequin, as Fred has gone to the chemical fertilizer plant's main turbine. He wires a batch of explosives to a wind-up alarm clock and places it where it will do the 'most good,' but not be easily spotted.

Henri calls Belle to tell her that he's certain he's gotten an excellent grade on his exam to qualify for a full-time teaching position, and he's going to stay in Paris a few days to look for an apartment and see his father. Belle's smile reverses as Henri then tells her that her seduction of him was 'a fabulous moment' and 'an experience.' Belle starts to cry as Henri tries to downplay what she thought was a declaration of her undying love (even Caputo and DiCicco call him an asshole for 'doing it over the phone'). Belle tells Henri that love was the only thing that could extract her from the crazy life she's been required to lead, and he's just crushed it, before she hangs up and breaks down in tears.

Stansfield shows up to attend the film showing and debate with Fred. He's still quite displeased at being roped into it. Rather than walk, Stansfield says they'll take his car.

If life was not taking enough of a downturn for the Manzonis, Maggie goes to the church during a flea market, to find the priest has turned against her. He's appalled and horrified at the confession she's made as the moll of a mob boss. He's under sacred oath not to share the confession, but it's haunted him all week, calling her family out as having made a pact with the devil. He demands she leave the church and not return.

The film showing is about to start when LeMercier announces that the Normandy Cinema association has sent the wrong film. Instead of Some Came Running, the film of the night will be Goodfellas (1990), by Martin Scorsese. Stansfield is horrified, wanting to drag Fred away and out of the showing then and there, but Fred pushes for them to stay, because it would look too suspicious if they ran away now; and more importantly, because Fred is extremely familiar with the meaning of the movie's storyline and background, he can be a very credible figure in the debate.

Belle overhears Warren hurriedly arriving home and hastily packing. Warren tells his sister that he doesn't want the Feds blaming her and their parents for what he's done at school, so he's running off to Paris. He's prepared forged ID and a passport to assist him in 'starting in the business.' Warren sees that Belle is wearing one of Maggie's pearl necklaces; she tells him she's going to be with the man she loves. Belle hugs her brother and wishes him good luck, telling him she loves him.

The showing of Goodfellas finishes and LeMercier asks Fred to sit up front for the debate. Stansfield listens as Fred starts to describe the start of a young teenage boy's start in a life of crime that sounds eerily like his own beginnings.

Warren is at the train station waiting for a train to Paris. A train pulls up, and a number of burly men debark, all carrying heavy leather cases and wearing trenchcoats. Warren nearly has a heart attack as he recognizes these men as Luchese's. For a moment he thinks he's dead, but the men walk past him, not paying attention, and not recognizing him, as it's been several years since any of them had last seen him as a child. They pile into two black cars that are waiting for them.

With Rocco and Willie are a number of serious heavy hitters: Bernie (Anthony Desio), Tommy (Ted Arcidi), and Billy the Bug (Michael J. Panichelli Jr.), all of whom are huge and burly. Seasoned hit men Paulo (Raymond Franza), Mezzo (David Belle), and Albert (Paul Borghese) round out the hit team.

Warren hurries to a phone booth to warn his family. Caputo and DiCicco wonder why nobody's answering, until they see Maggie's car pull in. But just as Maggie reaches the phone, Warren has run out of the phone booth, leaving the phone dangling off the hook.

As the two cars drive down the road, Rocco calls Albert on a cell phone and tells them to take care of the fire house, and then meet him and his group outside the town hall. His men will be getting a feel for the town in order to carry out their mission quietly, quickly, and without raising a general alarm.

Fred is a huge hit at the post-movie debate, but Stansfield isn't pleased. He calls Caputo and DiCicco, telling them to round up Maggie and the kids for Plan B.

Belle calls Henri from a cell phone she's mugged another girl for. She tells him that she just wanted to say that she loves him and that she wanted to hear his voice one more time, 'before she goes.' The camera pans out to show she's on the roof of the Cholong church, and the meaning of 'before she goes' becomes ominously clear.

As it happens, Belle is right across from the local police station, and she glances down to see Rocco and Bernie with their men arriving there. They quickly ambush and kill the officers on duty, and access the computer, inputting the name Warren Blake. When a Fred Blake, Maggie Blake and Belle Blake all also come up at the same address, they know they've hit paydirt. Belle watches in growing fear as Rocco and his men exit the station and return to their car. She hurriedly tells Henri she'll call him back; all thoughts of killing herself turning into a need to protect her family.

The other group of Luchese's men arrive at the fire house, taking out the one man on duty and puncturing all the tires on all the fire trucks. Warren sees them pulling up to the fire house and turns away desperately, so they don't see his face.

Maggie checks in with Caputo and DiCicco, who tell her that Stansfield has ordered emergency evacuation of the family. Fred's performance at the debate has earned him the accolades of, and a standing ovation from, everyone except Stansfield, who's sure that loose lips about his regalement of them with his stories, will lead back to him. Little does Stansfield know that Luchese's men, in a cafe not far, are already meticulously planning their hit; a fully coordinated assault on the Manzoni household. They're not taking any chances at blowing the $20 million bounty. They synchronize their watches; it will be midnight, French time, in 15 seconds.

Midnight hits, and the explosives Fred planted at the chemical fertilizer plant's turbine, goes off, destroying the turbine and giving Fred an airtight alibi; he was at the film society meeting, with Stansfield in attendance, the whole night.

Everyone, however, feels and hears the rumble from the explosion: Luchese's men, Caputo and DiCicco, and Fred and Stansfield. The feds call the emergency response crews to find the switchboards are down, which they know means serious trouble. Racing back to the Manzoni house with Fred in tow, Stansfield warns Fred that there had better be no trail leading anywhere near him; that Fred's alibi is so airtight is exactly what makes him so suspicious.

Stansfield drops Fred off at his house, forbidding him to leave, and calls DiCicco to tell him that he wants the whole family in the house while he swings by the police station.

Rocco and crew pull up to a town square and spread out to get a feel for the area. Rocco knows that the Manzonis have federal officers nearby watching them, and he dispatches Bernie to find and deal with them.

Despite orders to the contrary, Caputo and DiCicco give in to Maggie's pleas that she be allowed five minutes to find Warren and Belle, and pack some clothes. As she heads toward her house, she spots several of Luchese's men carefully spreading out and staking out key street intersections and all possible avenues of escape for them to cut off and intercept. Making it back to the fed house, she gasps for air and tells Caputo and DiCicco. "They're here. The streets are crawling with them."

Stansfield arrives at the police station and finds the dead officers. He warns his men that a cleanup operation is underway.

Fred turns on his water faucet and is pleased at seeing clear, clean water emerge. It's the urgent barking of the dog, Malavita, that alerts him to possible trouble. Luchese's men are unpacking all their hardware for the cleanup. Peeking through the window, Maggie gasps in horror at seeing Billy the Bug preparing a portable rocket launcher. She calls Fred, tearfully begging that he pick up the phone. Fred stares at the phone as it rings, listening to both the ringing and Malavita's agitated barking. He's unsure whether the incoming call is to verify that he's home as preparation for a hit.

Billy releases the rocket, and the explosion is seen and heard across Cholong. Stansfield steps on the gas to hurry to the Manzoni home. Caputo covers Maggie's mouth to mute her scream. Paulo, on lookout, kills two neighbors who step outside, including Arnaud. Grabbing their heaviest duty ordnance, DiCicco and Caputo tell Maggie that they're going to step out their back entrance, and Maggie is to wait for their signal before following.

The two feds never reach the door: Bernie is waiting outside with his automatic rifle, and he kills them both before they know what hit them. Maggie cowers in a corner, but it takes Bernie very little time to find her. Bernie has enough respect for Maggie as a person, that he wants to kill her clean and quick. But mob rules demand no such respect for the family of a rat. She must be raped before she's killed. But although dirty and a little shaken up from the explosion, Fred is otherwise unscathed, and has made it there unseen. He jumps on Bernie's back from behind, grabs Bernie's belt, which the enforcer had removed while undoing his pants, and uses the leather strap as a garotte. Bernie fights viciously, but Fred hangs on like a bulldog. The chokehold finally starts to sap Bernie's strength. Seeing her husband's defense of her, and Bernie weakening, Maggie finally grabs a big kitchen knife and stabs Bernie in the chest, finishing him.

Paulo goes to reload, but Warren and Belle have arrived back home. Belle whacks Paulo from behind just as he turns back around, and she and Warren arm themselves with spare guns. They ambush the remainder of Luchese's men, and even Malavita gets in a kill. Both Belle and Warren run out of ammo, and Warren hurries to the car to grab another. He grabs a shotgun and turns just in time to kill Mezzo. The recoil knocks Warren back against the car and stuns him. Belle catches him before he falls.

One last enforcer has to be dealt with: Rocco himself. He points his gun at Belle, poised to kill the girl-- but he, too, is out of ammo. Dropping Warren, Belle turns and runs as Rocco chases her down. But at an intersection, just as Rocco runs through it, a mere few meters behind Belle, he's run down by Stansfield, arriving on the scene to make the final save. Belle collapses to her hands and knees on the street and sobs, as Warren comes to, comes up behind his sister, and holds her.

Maggie is at the wheel of the Manzoni car as they drive through the late night to their next home. Fred is pleased with himself; he's fixed the brown water problem, was a hit for one night at Cholong-sur-Avre's film society, and he believes his family is more close-knit than anything. The bounty on his head is probably double what it was before, but the only real bummer to him is that he has to rewrite his memoirs from the start, and they have to change their names again.

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• Title: Escape Plan
• Year: 2013
• Duration: 1h 55m
• Rating: 6.7
• Genres: Action, Thriller

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Summary Escape Plan 2013

When a structural-security authority finds himself set up and incarcerated in the world's most secret and secure prison, he has to use his skills to escape with help from the inside.

Ray Breslin is a man who has devoted his life to making prisons inescapable by going into a prison as an inmate and trying to see if he can break out. And he has done a good job so far. A woman who says she works for the CIA approaches Ray and says that a new maximum security prison where the worst criminals are to be incarcerated, is about to be launched. So she wants him to go and make sure no one can get out. He agrees. So they make the necessary preps but when Ray arrives at the prison, he discovers that someone doesn't want him to get out. He then tries to find a way out but he needs help. Another prisoner, Rottmeyer becomes friendly with him. And they decide to work together to get out.

Ray Breslin is a renowned specialist in prison breaking in high-security facilities. He owns a company with his partner Lester Clark and he works with his coworkers and friends Abigail and Hush. Breslin follows three basic rules to escape: to know the layout; observe the routine; and get internal or external support to the getaway. Then he delivers a report with the flaws in the system to his client. Breslin and his team are visited by the CIA agent Jessica Miller that offers five-million dollars to him to test a state-of-art facility. Breslin accepts the challenge but soon he learns that he was double-crossed. The cruel prison ward Hobbes gives special attention to Breslin, following the instructions of his client and uses his right arm Drake to break Breslin. But the inmate Rottmayer gets close to Breslin and helps him to find a way to escape and find who betrayed him. Will they be well succeeded in their intent?

Having committed himself to searching for weak spots in the reliability of high-security prisons, Ray Breslin, the man with the unusual talent, faces yet another challenge. Should Ray accept, he will have to infiltrate and attempt to break out from the "Tomb", one of the government's uncharted and impregnable prison forts, where the world's worst criminals are left to disappear. Under a new name, Ray arrives at the top-secret facility of the sadistic warden, Hobbes, only to realise, right from the start, that he is double-crossed, lured into a trap and an inescapable fate. Under those circumstances, to have a fighting chance, Ray will have to trust the mysterious cell-block inmate, Emil Rottmayer, to come up with an audacious escape plan that could save them both. But, can the bold escape artist make it out alive this time?

Former prosecutor Ray Bresli is the leading authority and author on prison security, and as penitentiary escape artist the partner of Lester Clark in the firm hired by the US federal authorities to test high-security prisons from the inside, never failing. Against his own guidelines, he accepts to be hired by the CIA to test their novel 'inexistent' black site The Tomb, without his team getting any information. His tracker is ripped out during transport to the cruel underground site run by warden Hobbes, who denies any knowledge of the agreed extraction protocol and keeps him locked-up indefinitely, unless he can find out the identity of the elusive hacker who may crack the entire bank system. Ray agrees but actually concludes an escape pact with toughest prisoner Emil Rottmayer. Both must fight to get into isolation and play warden, prison doctor Kyrie and some stooge prisoners, while senior jailer Drake develops a personal grudge for Ray. Inititial scouting only shows the task worse the expected, as they're aboard a decommissioned tanker.

Synopsis Escape Plan 2013

Ray Breslin (Sylvester Stallone) is a consultant for the Federal Bureau of Prisons. His job is to test the efficiency and escapability of America's most secure prisons. Ray has adopted a false identity and landed himself in a federal penitentiary in Colorado. He sits alone in his cell and listens as his cellmate whispers a message to him through the wall: another prisoner intends to stab Ray to death in the yard the next day. Ray sighs upon hearing the news. The following day, Ray is assaulted by a pair of white supremacists. He deflects the prisoners' attacks and ultimately injures the pair of them. Shots ring out and armed guards storm the yard. Ray is hauled to a tiny, cramped isolation cell. His only belonging is his bible. A closed-circuit surveillance camera watches Ray's every movement. Over the next few days Ray takes note of the guards' routines. At least once a day the two guards who monitor the isolation area leave their post for a seven minute smoke break. The guards bring Ray his lunch which consists of, most importantly, a carton of chocolate milk. He dissects the cardboard milk carton and extracts a transparent plastic sheet from the label. The following day, when he's escorted out of his cell, he secretly applies the plastic film over the keypad which accesses his cell. The guard punches in the 4-digit access code, leaving his fingerprints on the film. Ray sneaks the film from the keypad, stuffs it in the bible, guesses the access code from the fingerprints and waits for the right moment to escape.

A pretty woman, in a brunette wig and sunglasses, steps out of her towncar which she's parked near the prison. She walks away from the car, presses a button on a remote, and triggers the firebomb hidden within the car. Ray hears the explosion, which has been timed to occur during the guards' smoke break, and quickly exits his cell. He runs to the guards' control room, finds his video feed playing on a closed-circuit monitor, and rewinds the feed a few hours. He stealthily makes his way through the prison, and ultimately arrives at the prison's fire station. There, he dons a yellow fireman's uniform, clings to the bottom of the responding fire engine, and exits the prison to the exterior parking lot, where he easily steps into a waiting van and makes his escape. Inside the van are Ray's two associates: Abigail Ross (Amy Ryan) and "Hush" (50 Cent). Abigail and Hush joke with Ray, complimenting him on escaping yet another prison, and teasing him. They drop off Ray at a service station a few miles from the prison and drive off. Ray walks to a phone booth, dials a number, and watches as a highway patrolman rolls past. The cop spots Ray's prison jumpsuit and screeches to a stop. He calls in for backup and within seconds Ray is surrounded by Colorado's finest. Ray's contact answers, and Ray tells him that it's finished.

Ray returns to the prison, dressed in a nice shirt and slacks, and is accompanied by his associate and business partner Lester Clark (Vincent D'Onofrio). Lester is, as he describes to the warden, the numbers guy of this partnership and Ray is the artist. Ray is hired by the government to break into its prisons and expose their flaws. Ray describes to the Warden, in detail, how easy it was to break out of his prison. The warden, dumbfounded, makes note of Ray's criticisms and escorts them out.

Los Angeles. Breslin & Clark Consultants is a profitable, well-oiled security company. Ray and Abigail have some chemistry, and Hush proves to be an extremely competent computer specialist. Ray walks to his office, which he rarely visits (most of his work time is spent in a prison cell), and is summoned by Lester to the conference room where a CIA officer is waiting for him. CIA representative Jessica Miller (Caitriona Balfe) has been sent to Breslin & Clark with a unique job proposal. The CIA, since 9/11, has been under great scrutiny for its treatment of enemy combatants. They've been trying to find a secret way to deal with undesirables that doesn't alert the ACLU. Therefore the CIA has created a new prison whose location, for the purposes of secrecy, cannot be disclosed to Ray or his team. Its whereabouts and functions are beyond top secret, but the CIA promises if Ray can successfully escape, they will gladly double his $2.5 million fee. Abigail and Hutch are reluctant to accept the job, but Lester convinces Ray that a $5 million payday is worth his trouble. Ray agrees to the operation. Jessica provides Ray with a cover ID: a Spanish-born explosives terrorist named Portos. Her team will be waiting for him in New Orleans in a few days.

Ray, Abigail and Hush rent a room at a Bourbon Street hotel and count the minutes until the pick-up time. Abigail and Hush are still uneasy about the ramifications of the mission and finally convince Ray to wear a tracking device. Ray succumbs to the suggestion and is injected with a microscopic tracking chip in his arm. Ray teases Abigail, insists that he'll be fine, and walks down the street to be picked up. Within moments a black van swings around the corner, a homeless man tazes Ray, and he's tossed into the back of the van. Armed militia types pull guns on Ray and wave an electronic wand over his body. As it crosses over his shoulder, it beeps, and using a pocket knife they dig the tracking device out of his arm. They stick a syringe in Ray's neck and he passes out. Back at the Bourbon Street hotel, Ray's tracking marker disappears from the team's laptop, to both Abigail's and Hush's frustration, and Ray's location is officially unknown.

Ray awakens in a very groggy state, in the back of a helicopter. Through blurry eyes he watches as the lead militia guard, Drake (Vinnie Jones), excitedly stabs another inmate in the stomach before throwing him out of the helicopter's open door. Drake notices Ray's open eyes and orders his subordinate to knock him out again. Ray wakes up, finally, in his prison cell; its worse than he thought. His prison cell is a Plexiglas cube hanging twenty feet in the air along with dozens of other similar cubes. The guards wear black masks and identical jumpsuits to conceal their identities, and they don't hesitate to brutally beat any prisoner who disobeys them. For the first time in his career, Ray has no idea how he's going to escape. Ray is brought to the warden's office and is surprised to meet someone he was not expecting. Willard Hobbs (Jim Caviezel) is a cold, menacing authority figure who cares little for the welfare of his inmates. Ray, overwhelmed by the complexity and brutality of the mission, gives Hobbs a bug-out code (a number issued to him by the client which he can use when he gives up -- a game over card) but Hobbs doesn't care. He tells "Portos" that he's never getting out of his prison. Ray learns a lot on his first day in the prison. It appears that the prison isn't exactly made up of law-breakers. Many of its residents made enemies on the outside; enemies who paid Hobbs, and his organization, millions of dollars to incarcerate them. One of the first prisoners "Portos" meets is German-born Emil Rottmayer (Arnold Schwarzennnegger) -- an aged associate of the infamous European financier "Mannheim". Mannheim has made a lot of enemies, but has always managed to evade them. Rottmayer was taken by Mannheim's enemies, and incarcerated in Hobb's secret prison. Rottmayer is eager to associate himself with Portos and tells him that he is known to be a "favor guy" in the prison. If Portos needs anything, Rottmayer can get it for him... for a price. Portos/Ray, only eager to escape, tells Rottmayer that he needs to see solitary confinement. Rottmayer jokes with Portos/Ray and picks a fight with him in the mess hall. Before too long a riot breaks out among the prisoners and masked guards pour into the mess hall. Rottmayer and Portos/Ray are hauled to isolation and the pair are shoved into tiny, cramped metal boxes illuminated by bright, blinding spot lights -- torturous easy-bake ovens. The pair sweat for many days, until the prison doctor, Emily Kyrie (Sam Neill), is called in by Hobbs to check their condition. Hobbs is fine with letting prisoners suffer, but a dead prisoner means refunding the client. Ray, sensing a conscience in Dr. Kyrie, pleads to know where they are and where the prison is. Dr. Kyrie refuses to tell him, but when asked by Hobbs what Ray asked, Kyrie lies, saving Ray from more time in the box. Ray and Rottmayer are sent back to general population and Rottmayer asks what information Ray was able to gather while in the box. Ray tells him that, judging by the humidity of the boxes, they're probably somewhere underground; possibly in an underground lake that was repurposed into a prison. There was a flaw in the boxes' design. The boxes are made of steel, which does not cope well with humidity. Ray's box had an access door at its bottom, held in place by four steel screws. If Ray could concentrate enough heat on those rusty screws, they should come loose, allowing Ray to escape the box, but in order to super-heat the screws, he'll need a flat, circular metal disc. Rottmayer volunteers to procure one for him.

Rottmayer asks to speak with Hobbs and is taken, by guards, to his office. Hobbs is eager to speak with Rottmayer, because his sole knowledge of Mannheim's whereabouts would mean a big payday for Hobbs. Hobbs asks Rottmeyer, repeatedly, where Mannheim is. Rottmayer asks for a pad of paper and a pencil and draws a crude image of an arrow point up a cartoon character's butt. Hobbs, enraged, orders his men to beat Rottmeyer. Rottmeyer falls to the floor, and manages to steal a metal drain cover, and hide it in his hands as the guards beat him. He's escorted out of Hobb's office and taken back to genpop. Rottmeyer gives Ray the metal disc and asks him what to do next. Ray explains that he'll use his prison-issue toothpaste to super-polish the metal disc and make it as reflective as possible. He'll need to get back into his isolation box and he'll use the reflective disc to super-heat and dislodge the screws. Rottmeyer, realizing that they need to get back into the isolation area, picks a fight with the leader of the prison's Muslim population, Javed (Faran Tahir). A full-scale brawl erupts between the white supremacists and muslims, with Ray and Rottmeyer stuck in the middle. Ray balls-up a slice of bread and stuffs it in his jumpsuit. Dozens of inmates are hauled to isolation, including Rottmeyer and Ray. Ray is tossed into his hotbox and he secretly starts removing the box's screws. After many hours the screws come loose and the panel opens. Ray stuffs the balled-up piece of bread into the cell's camera lens and knocks on the wall, signaling Rottmeyer. At the knock, Rottmeyer begins to cry, hysterically, in German. The isolation guards, distracted by Rottmeyer's cries, pay no attention to Ray, who secretly opens the hatch and descends a long ladder far below his cell. Ray carefully navigates the complex tunnels and air ducts and ultimately arrives at a giant tube with an access hatch at its apex. He climbs the tube's piping and electrical cables and comes to the hatch. He opens it up, sees daylight above, steps out and discovers where the prison is. It's an oil tanker -- a giant merchant ship floating in the middle of the ocean. Ray is speechless. He nervously ducks out of sight of a few oncoming guards, and after taking in his geography, he jumps back into the tube and slowly makes his way down into the ship. Along the way his foot slips, cracking open water pipes which begin to fill the tube and air ducts with water. Back in the isolation area, Hobbs has arrived to diagnose Rottmeyer's hysterical ramblings. Ray is having difficulty reaching his isolation cell. Much of his way back is under water. Back in the isolation area, the other prisoners watch as sea water floods their cells. The guards are overwhelmed by the panicked prisoners and begin releasing them from the boxes one-by-one. They come to Ray's box last, and Ray barely manages to make it back into his cell, take the bread from the camera, and close the access panel beneath him, before his door flies open and he's yanked out of the cell by the guards. The prisoners are returned to general population while Hobbs and Drake try to find the source of the flood. They come to Ray's cell and notice a single rusty screw sitting atop the access panel. Drake suggests that the flood must have dislodged it. Hobbs doesn't buy it. He orders Drake and his men to make Ray's life a living hell.

Back in Los Angeles, Abigail storms into Lester's office, carrying the multi-million dollar check issued by the CIA -- it's been frozen. Lester doesn't seem concerned and tries to convince Abigail to let it go. She's so worked-up about Ray that she's becoming suspcious of everybody. She leaves Lester's office, but talks with Hush. Hush does some internet research and comes across the concept for a prison that is identical to the one that's holding Ray. The only problem is that the prison's location is unknown.

Back in the mess hall, Ray delivers the bad news to Rottmayer: they're in the middle of the ocean, with no recognizable landmarks within viewing distance, aside from the stars. Ray believes, if he can get a hold of a few regular objects, he can MacGyver-together a sextant which they can use to determine their location. Ray hurriedly constructs the sextant, and passes it to Rottmeyer seconds before he's accosted by a trio of Hobb's guards. For the next several days, Ray can't sleep, eat, walk, or breath without the guards assaulting him. Ray and Rottmeyer determine that they'll never have an opportunity to get outside to use the sextant, but that someone else might. They go to Javed, who is still fuming from his recent stay in the box, but Rottmeyer convinces him to their cause by promising to break him out of the prison. They tell Javed to tell Hobbs that Ray is planning to escape, and that he'll continue to give Hobbs information on the escape in exchange for the opportunity to do his daily prayers outside, in the open air. Hobbs agrees and gives Javed his pass to the outside. Back in Hobb's office, he speaks on the phone to an unknown party who reveals that Portos is actually famed prison-escaper Ray Breslin. It's revealed to be Lester, who is speaking to Hobbs. Lester tells Hobbs that he can keep Ray in the prison for the rest of his life. Hobbs summons Ray to his office and reveals that he knows his true identity, and boasts that he designed his inescapable prison after reading Breslin's own published book about escaping prisons. Ray, who still needs the escape to go to plan, lies to and offers to work with Hobbs, to get information on Mannheim from Rottmayer. That night, Javed prays on the deck of the ship, and as the guard turns away, he hurriedly looks through the sextant at the stars and marks their location, in degrees, on Ray's map. The information is returned to Ray who, upon factoring in the location of the stars, proximity to land for supplies, and the weather and temperature of the ocean, suggests that they're somewhere off the coast of Morocco. Now that they know where they are, all they need is a message to the outside world, and for that they'll need to convince Dr. Kyrie to aid them. While standing in line, Rottmayer stabs Ray in the leg which prompts a visit to the infirmary. At the infirmary, Ray has his leg stitched up, without the aid of pain killers (another ruthless rule of Hobb's). Ray convinces Dr. Kyrie to remember the hypocratic oath he took as a doctor. Furthermore he tells Kyrie to go to Hobbs' office and to read a passage on a particular page in Breslin's book to confirm Ray's identity and story of innocence. Kyrie ultimately is convinced by Ray and agrees to send out one coded e-mail, to Rottmeyer's people, with his whereabouts.

Back in general population, Ray, Rottmayer and Javed set in motion plans to distract the prisons' guards and allow them a window to escape to the surface. Ray and Rottmayer are a part of cellblock A, and Javed and the rest of the Muslims are a part of cellbock C. Their plan is to make the guards assume that a riot will occur in cellblock C, reducing their numbers in cellblock A where the riot will truly occur. The riot begins in cellblock A, and the understaffed guards are soon overwhelmed by the attacking inmates. Ray, Rottmayer and Javed take out multiple guards, steal their guns, and synchronize their watches. Rottmayer's people, who were alerted by Dr. Kyrie, are flying toward the ship in an attack helicopter. They'll be there in 11 minutes, and the three will have a brief window to escape. The trio makes their way up a service ladder and finally to the hatch just below the surface. Hobbs, who had been alerted to the riot in cellblock A, orders a full shutdown of the prison. With a click, blast doors close all over the prison, and the surface hatches are magnetically snapped shut. The trio reach the hatch seconds after it locks. They're trapped. The three descend the ladder and hide as time ticks away. Ray tells Rottmayer and Javed that he will go to the engine room in the bowels of the ships, where he should be able to restart the ship's electrical system, and cause the surface hatches to temporarily unlock. Hobbs' guards find the trio and open fire. Rottmayer and Ray shoot back, but Javed takes a bullet to the stomach and falls to the ground. Ray gives Javed his gun, tells Rottmayer to take care of him and runs to the engine room. Rottmayer looks at his watch, and Javed, who realizes that they're running out of time, asks for Rottmayer's gun and tells him to climb the ladder. Javed heroically takes out dozens of guards with the pistols, before being shot and killed by Hobbs' men.

Ray arrives at the engine room, meets minimal resistance, and manually turns off the ship's cache of batteries. One by one, lights and electrical systems turn off in the prison and the surface hatch opens for Rottmayer. Rottmayer emerges from the hatch and hides as guards, on the bridge, open fire. Down below, in the engine room, Drake corners Ray and the two engage in a bloody fistfight. Ray manages to kick Drake down a flight of stairs, where he breaks his neck and dies in a puddle of blood. On the surface, Rottmayer's men in an attack chopper, have arrived and open fire on the bridge and its guards. They hurriedly land the chopper, and beg Rottmayer to jump in so they can take off, but he refuses -- they can't leave without Ray. Rottmayer mounts a machine gun and mows down waves and waves of guards. Hobbs arrives at the engine room, but Ray is nowhere to be seen. He's hidden himself inside of a water tank, half-filled with sea water. Hobbs orders his men to turn the ship's systems back on one-by-one. The water tank quickly fills with water, and within seconds Ray is submerged up to his hair in water. As Hobbs continues his search for Ray he doesn't realize that the water tank automatically flushes itself out when it reaches a certain volume. The water tank is emptied into the ocean, and Ray with it. Back on the surface, Rottmayer and the helicopter pilot take off, and circle the ship, trading gunfire with guards and looking for Ray. Ray surface, in the water, and Rottmayer orders his man to drop a rope ladder. Hobbs appears on deck and orders his men to open fire on the helicopter. A gunfight ensues between Rottmayer and Ray on one side and Hobbs and co. on the other. Rottmayer manages to toss Ray, who is dangling from a string, a pistol. Ray fires at a pallet full of explosive tanks seated directly beneath Hobbs. The tanks explode, taking Hobbs with them, allowing Ray and Rottmayer a window to escape to Morocco.

The helicopter hovers over the Moroccan beach and the pair of Ray and Rottmayer jump out onto the sand. Ray, confused, asks where Mannheim's people are, and Rottmayer reveals the truth -- he is Mannheim. A pickup truck, with a pair of armed soldiers pulls up to meet them. The driver exits the truck and opens the back door, and out steps Mannheim's daughter, Jessica Miller -- the CIA agent who brought the job to Breslin and Clark in the first place. Mannheim/Rottmayer reveals that they knew if anyone could break out of Hobbs' prison, it was Ray Breslin, and they concocted this mission to get him out. Mannheim/Rottmayer climbs into the pickup with his daughter, asks Ray if they can give him a ride, which he refuses, and they drive off.

Ray Breslin returns to Los Angeles, where he's met by Abigail. Abigail reveals what she and Hush discovered. Hobbs' illegal prison organization contacted Breslin & Clark so they could get infamous prison escaper out of the picture. They contacted Lester, and offered him a seven-figure salary with a job like Hobbs', in exchange for Ray. In fact, Lester has a business meeting, at that exact time, with the company in Miami. In Miami we watch as Lester Clark steps into a high rise elevator with a briefcase and exits to the parking garage. He climbs into his luxury sedan, and is about to drive off when Hush appears in the backseat, and knocks him out. Hours later, Lester awakens in his car, in a pitch black room. He attempts to open his doors, but they're pinned shut by the room's walls. The camera pulls-out revealing that Lester, and his car are trapped inside a storage container, stacked atop hundreds of others on a cargo ship similar to Hobbs'.

Back in Los Angeles Ray and Abigail exchange flirtatious jokes and walk through an airport hangar to a waiting private jet.

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• Title: Machete Kills
• Year: 2013
• Duration: 1h 47m
• Rating: 5.6
• Genres: Action, Crime, Thriller

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Summary Machete Kills 2013

The U.S. government recruits Machete to battle his way through Mexico in order to take down an arms dealer who looks to launch a weapon into space.

Patrolling the U.S. border with his gun-toting lover, Sartana, after the massacre in Machete (2010), the stone-faced, former Mexican Federale, Machete, receives a call from the president himself of the United States. Thirsting for retribution, Machete embarks on a deadly mission to bring to Texas the megalomaniac Mexican revolutionary, Marcos, who has a nuclear missile pointing at Washington, D.C. Now, Machete and the undercover agent, Miss San Antonio, have to stop a global war, as the shape-shifting assassin, La Camaleón, is hot on their trail. Can Machete's hungry blades avert the impending Armageddon?

Synopsis Machete Kills 2013

The film is preceded by a fake trailer for "Machete Kills Again... In Space!", which features the titular hero on an intergalactic mission, starring Danny Trejo, Michelle Rodriguez, Alexa Vega, Lady Gaga, Justin Bieber as a robot named Bleep (which Machete destroys), and Leonardo DiCaprio as "The Man in the Silver Mask" (with the sub-note that the actor playing the role is subject to change).

The actual film starts off with a team of military men arriving at the Arizona-Mexico border, where they start unloading crates filled with high-tech weaponry. They're cornered by Machete Cortez (Danny Trejo) and Sartana Rivera (Jessica Alba), both of whom are aware that these men are planning on selling weapons to the cartel. Sure enough, the cartel arrive right on cue. They whip out their guns and kill all the military men. Machete and Sartana fight back, with Machete slaughtering them with his machete. The cartel leader prepares to kill Machete, stating that "if a man kills a legend, he becomes a legend himself." That's when three helicopters show up with masked men hopping out and shooting the cartel. Sartana pleads with Machete to help her fight these other men, and she goes around to the back of the military truck to find a large missile in the back. A man in a luchador mask walks up to her and shoots Sartana in the head, killing her. Machete finds her body and falls on his knees in despair, just as he is apprehended by the masked men.

Machete is set to be hanged in the office of the racist redneck Sheriff Doakes (William Sadler) after being accused of murdering Sartana. Doakes tells his deputy Clebourne (Samuel Davis) to kick the stool from beneath Machete's feet, which he does, but Machete doesn't die. Instead, he stares viciously at the two men. The phone rings, and Clebourne answers, then passes it to Doakes, saying it's the President. Doakes answers and then grabs his gun to shoot the noose to free Machete. He takes the phone and growls, "This is Machete."

Machete is escorted to Washington DC and to the White House to meet President Rathcock (Charlie Sheen; credited under his birth name Carlos Estevez), who informs Machete that a Mexican cartel member-turned-revolutionary named Marcos Mendez (Demian Bichir) has a plan to launch a powerful missile at Washington unless Mexico is invaded to put an end to the corruption within that country. Ratchcock orders Machete to find Mendez and kill him. Machete refuses the mission until Rathcock grants him U.S. citizenship and tells him to do this for his country and for the late Sartana.

Arriving in San Antonio, Texas, Machete meets his handler, Blanca Vasquez, aka Miss San Antonio (Amber Heard). She shows off her arsenal of guns and blades, including a three-bladed machete that catches Machete's eye. She briefs him on Mendez's plan and tells him to go to Acapulco to find a young woman named Cereza (Vanessa Hudgens), as she will lead Machete to Mendez. Miss S.A. then has sex with Machete.

Miss S.A. flies Machete to Acapulco, Mexico where he parachutes down to find a brothel run by Madame Desdemona (Sofia Vergara). She orders her band of prostitutes to make sure they get their earned money from any customer who comes in, then sends them away as Machete comes in. He takes out a picture of Cereza and requests to see her. Desdemona leaves to get her, only to come back with a gun. She fires at Machete, prompting him to run and get shot at by the other prostitutes. He runs into a room to find Cereza, who willingly goes with him. He grabs her and jumps out the window.

Machete and Cereza wait at a dock for their ride to see Mendez. She reveals that she is Desdemona's daughter and that Mendez was once a normal man who became insane, earning him the nickname "Mendez the Madman". The two are picked up on a speedboat with a man named Zaror (Marko Zaror) and two revolutionaries. They all board a helicopter to head to Mendez's lair. While they're flying, Zaror says "Mendez sends a message," and he shoots Cereza in the stomach and throws her out of the helicopter to her death.

The helicopter arrives at Mendez's lair. True to his reputation, he is a maniacal man who has a very large missile standing in the middle of the room, and the trigger is wired to his heart, so if he dies, the missile launches. He says there are only two people who know how to disarm it. Zaror kills the only doctor in the room, which leaves only one other person who knows, and he is all the way back in the U.S. To make matters worse, Mendez pulls the trigger on his chest, which leaves 24 hours before the missile launches. Thinking quickly, Machete grabs Mendez and takes on his henchmen, using his triple-bladed Machete to slice into Zaror's stomach and make his way out while killing other goons. He knocks Mendez unconscious and runs to the helicopter. Zaror runs out to fight Machete, but he sticks his hand in Zaror's stomach to pull out his intestine and throw it into the helicopter's blades, pulling Zaror up and slicing him to pieces. Machete boards the helicopter with Mendez, then receives a call from Miss S.A. He tells her that he is taking Mendez across the border, leading her to call President Rathcock. Machete informs them both about the missile's trigger being wired to Mendez's heart, so he is going to find the man who sold him the missile, coming from a company called Voz Tech.

As the helicopter flies over the ocean, two revolutionaries on a speedboat try to shoot at Machete. He jumps out with Mendez and lands in the boat. He knocks out one revolutionary while fighting the other, then grabbing a grappling hook, shooting it at the helicopter, and sticking it to the man, which pulls him up, shreds him, and causes the helicopter to explode. Machete then steers the boat to the docks, but there are more revolutionaries waiting for them. He sticks the gas in the speedboat on full speed and jumps out with Mendez, right before the boat flips over, crashes into the dock, and kills the men with the boat's turbines.

Machete pulls Mendez to land, where Mendez suddenly drops his madman persona and begins to speak to him calmly. He appears to have no recollection of the trigger on his heart and is distraught when Machete tells him that he ordered Cereza to be killed.

At a Mexican radio station, a goon enters and orders the host to read off an announcement over the radio: a hit has been issued on Machete and Mendez, offering over $20 million dollars to whoever kills them. This is heard by Machete's ally Luz (Michelle Rodriguez), as well as Doakes and Clebourne.

Elsewhere in Mexico, a man (Walton Goggins) enters a bar. He asks for a martini but the bartender tells him they only serve tequila and chango. The man orders the chango and then reveals to the bartender that he is the notorious killer known as El Camaleon, for nobody has ever seen his face. He kills the bartender and the other two men in the bar, then leaves. He pulls off his mask to reveal a new disguise (Cuba Gooding, Jr.). He receives a notice about the hit on Machete, and then kills a tourist couple and takes their car.

Machete and Mendez go to a Mexican restaurant where everybody recognizes them and watches them with the intent to kill. A cop named Chepo (Julio Oscar Mechoso) aims his gun at Mendez's head, calling him "loco" ("crazy" in Spanish). This causes Mendez to revert to his madman persona and he begins to punch Chepo's face in, with Machete finally shooting him in the chest. The police arrive to arrest the two, forcing Machete to grab Mendez, kill the restaurant's workers, and cut the gas line to destroy the restaurant.

Meanwhile, Desdemona is in her brothel whipping a man tied to a table while telling him why she hates men - her father used to sexually abuse her as a child until she chewed his balls off. She wraps the whip around the man's neck and breaks it. One of the prostitutes, named KillJoy (Alexa Vega) comes in to tell Desdemona about the hit on Machete. She then hands Desdemona a machine gun bra to prepare herself.

El Camaleon (Gooding) arrives at a garage and learns that Machete was spotted in Villa Guerrera. He asks the man at the garage for directions, but when he fails to answer him properly, he kills the man. He then notices the camera which has captured his face. He shoots it and removes his mask to become a woman (Lady Gaga).

Machete takes Mendez to a clinic after he was shot in the neck at the restaurant. While he's being treated, a prostitute spots them and informs Desdemona and her girls. Machete spots them and puts blood bags in the microwave, causing them explode and spray on the prostitutes. Desdemona opens fire with her machine gun bra, but Machete manages to outrun her. He grabs a defibrillator and uses it on the bra to throw Desdemona several feet away. He once again grabs Mendez and runs.

The duo make it to a shop to get a car. There is a man in a wheelchair there who is willing to turn them in as a group of assassins arrive on the scene. Machete shoots the man's oxygen tank, which pushes the wheelchair into plain sight of the assassins, and they open fire on him and launch a rocket at the man. Machete and Mendez get into an armored vehicle and flee. As they continue to make their way to the border, Mendez tells Machete who he used to be - he was never part of the cartel, but rather, he was Mexico's first secret agent who planned to end the corruption in the country, but his supervisor betrayed him and had his wife and daughter beaten and murdered before his eyes. He went crazy and killed the supervisor and his men, leading him to join forces with the man who sold him the missile.

With about 13 hours before the missile launches, Machete and Mendez arrive close to the border. However, Desdemona and her prostitutes are following, and El Camaleon (Gaga) is not far behind. Machete throws a blade into Desdemona's vehicle that is set to blow up, forcing her and her girls to jump from the vehicle. With it being stranded, it causes El Camaleon to hit the car and overturn his (or her) car. Desdemona runs out with a crotch gun to fire at Machete, but he outdrives her. Defeated, she and her girls walk away.

The wall of the border is too big for Machete to drive through, so Mendez informs him of a wall with graffiti to drive through. It opens to a tunnel and that allows them to burst underground into the U.S. Waiting for them on the other side is Doakes and Clebourne. Doakes aims his gun to kill the two but Mendez throws a blade of his own to cut off Doakes's hand. He then breaks his neck before shooting Clebourne in the head. Not long after, a group of masked men similar to the ones from before arrive. Among them is Zaror himself. He decapitates Mendez while the other masked men pump Machete full of lead.

There's a brief campaign ad to re-elect Rathcock for another term, stating his accomplishments with gun laws and legalizing marijuana in 28 states. He then adds "Winning was only the beginning."

Machete wakes up in a pool at Voz Tech Industries. Next to him is Mendez's headless corpse. Standing over Machete is Luther Voz (Mel Gibson), president of Voz Tech and the same man who gave Mendez the missile. Voz holds a jar containing Mendez's still-beating heart while the missile's launch countdown is still going. He tells Machete he is lying in a healing pool, and then takes him on a tour of the place in his "Star Wars"-inspired vehicle. Voz explains that he has seen the future where the world has come to an end, so he has built a rocket that will take him and anybody willing to join him up into space. Additionally, he has been manufacturing genetically engineered super soldiers, and unleashes a number of Zaror clones to fight Machete. Machete grabs any weapon that's close to him and he kills all the clones. Voz is impressed before discussing the final part of his plan - including Mendez, he has manipulated people in other countries, including North Korea and Russia, into obtaining missiles to launch all around the world. Machete runs out of there with one of Voz's weapons and hops in the "Star Wars" car. He is followed by Voz's men all the way to an electric fence. The weapon he grabbed is a molecule disabler, which he fires at the goons, causing them to disintegrate. A helicopter arrives, and Machete uses a hook to latch onto the blades to swing around and decapitate the remaining henchmen. He gets into the helicopter which is being flown by Luz.

Luz takes Machete back to her hideout with her group, the Network, and tells him that many Mexican laborers have been abducted mysteriously. He tells her about the missile, and she says she knows someone who can disarm it, but he's not gonna like who it is. It's Osiris (Tom Savini), the hitman from the previous film who killed Machete's friend Padre (Cheech Marin). Osiris asks for a chance to redeem himself, remorseful for killing Padre. Machete is then contacted by Miss S.A. who asks him to meet her at a rendezvous point after she's done with her swimsuit competition. Luz knows that Machete had sex with Miss S.A. and says his judgment is clouded.

Machete meets Miss S.A. at the rendezvous point with Luz, Osiris, and another guy named Tito following close by. Miss S.A. betrays Machete by saying she offered to bring him back to Voz in exchange for winning the competition to crown her Miss Texas. A gunfight ensues between Voz's goons and Machete's friends. Tito is killed and Machete hops onto the villains' car until one of them shoots him off the roof.

Machete wakes up in the desert and walks until a truck driver (Antonio Banderas) stops to pick him up. His Spanish is noticeably awkward and inconsistent, so he gives up and reveals that he is El Camaleon. In his female disguise, he was able to hail the truck's previous driver before assuming another disguise. He takes Machete out of the truck and makes him dig his own grave, but Machete digs up a tunnel where several Mexicans are sneaking past the border. Machete hops in while El Camaleon has his back turned, and he follows soon after he realizes Machete's gone. Unfortunately for him, he runs into a group of border-patrolling rednecks who shoot him to death. Meanwhile, Machete makes it out. He is picked up by Luz's allies and taken back to her hideout. She addresses all of them on Voz's plan to launch his missile and rounds everybody up to help her and Machete fight back.

Just barely half an hour is left before the missile launches. Machete, Luz, and the Network infiltrate a party thrown at Voz Tech Industries by disguising themselves as the help. Voz is set to bring all the guests with him into space, complete with their own weird futuristic wardrobe. Machete comes in and tells the crowd that Voz plans to bring the world to an end, prompting the Network and Voz's henchmen to engage in another gunfight. Machete runs after Voz while Miss S.A. shoots out Luz's other eye and kills other Network members.

Machete and Osiris find the heart, which Osiris finds too complicated to disarm. Voz enters and shoots the heart, leaving only five minutes left before the launch. He aims his molecule disabler at Machete, but Osiris jumps in and takes the shot to finally redeem himself. Machete comes across a luchador mask, and realizes that Voz was the one who killed Sartana. Voz admits that since Machete got involved, his future visions have become less accurate and clouded. Machete and Voz engage in a duel with their own bladed weapons. Voz gains the upper hand and nearly kills Machete, until Machete uses his hook to pull a flamethrower to spit fire in Voz's face, leaving him horribly disfigured. He stumbles into another room to grab the silver mask seen at the beginning in the fake trailer. At the same time, Luz, now blind, fights Miss S.A. She throws her crown at Luz, but she catches it and throws it back at Miss S.A.'s chest, hitting her heart. Luz finishes her off with a blast to the head.

As Machete runs to turn off the missile, Voz succeeds in rounding up the party guests and the Network to bring them with him and the other abducted laborers into his rocket. He also has Luz frozen in carbonite (just as she flips him off). The missile launches with Machete riding it. He cuts the blue wire inside, and the missile falls into a river just as Voz's rocket launches into space. President Rathcock and his men find Machete, and he thanks him for saving the world. He asks where Voz is, and Machete points to the sky. Rathcock says he has a new mission for Machete to go into space to get Voz, and before he says anymore, Machete immediately accepts the mission.

In the final shot, Machete goes to the Space X station in an astronaut suit and boards the rocket that will take him up to find Voz and defeat him once and for all, setting the stage for "Machete Kills Again...In Space!" It's also shown that Desdemona and her girls will face off with Machete yet again, leading to a cliffhanger where the masked Voz holds a blade at Luz's neck in front of Machete, swinging the blade before cutting to Rathcock saying he approves this message.

After the credits:

There's an outtake with Michelle Rodriguez "pussy-punching" Amber Heard, which Heard laughs about, followed by President Rathcock in space, firing his own badass space guns.

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